Yesterday, when I made the motif transpositions and linked them together, I was wondering about rhythm in a way of have a groove section.
I thought about divisions and realise that the 6/8 its more smooth that 2/4, probably because its division in three and not in two. Then, I was wondering about how destabilise the 6/8 keeping it at the same time. I thought about patterns of semiquavers organised in 4, 3 and 2; 4, 2 and 3 and groups of demisemiquavers organised in 4, 3 and 2; 4, 2 and 3.
After doing these organisations of rhythms patterns I thought that I needed more. I did a kind of organisation, using the same technique, with 7/8 organising the rhythms patterns in semiquavers and demisemiquavers in 5, 3 & 2 and 5, 2 & 3.
Then I tried to explore the possibilities of these rhythm patterns with all the harmonic and all the motifs I have done until now in 6/8 and in 7/8 .